Scott-King’s Modern Europe by Evelyn Waugh

‘Then what do you intend to do?’
‘If you  approve, headmaster, I will stay as I am here as long as any boy wants to read the classics. I think it would be very wicked indeed to do anything to fit a boy for the modern world.’
‘It’s a short-sighted view, Scott-King.’
‘There, headmaster, with all respect, I differ from you profoundly. I think it the most long-sighted view it is possible to take.’

from Scott-King’s Modern Europe, by Evelyn Waugh

Labour’s Lost Boy – Jeremy Corbyn IS Peter Pan

corbyn-snag

WHEN I WAS preparing a short podcast on Peter Pan for some students it occurred to me that some of what I was talking about had a direct relevance to current left of centre politics. This can be boiled down to two points: the first is the overwhelming desire to live in a fantasy world where you do not need to grow up, and the second is the amnesia that accompanies that desire.

We all know that Peter Pan himself is a Lost Boy, who refuses to grow up, preferring to live in Neverland, where he can play to his heart’s delight without having to bear the responsibilities of growing up in the real world. Listening to any leftist is like listening to a Peter Pan promising utopia: you can do what you want, everything will be free because mummy state will provide it, and the rich will pay for it. You don’t have to worry about taking responsibility for your own life or actions.

Read on at The Fortnightly Review.

There’s more panning of such Peter Pan-nery in my by book that you should read.

“For whom the bell tolls…” – a reading of John Donne’s famous words.

My reading of an extract of John Donne’s Devotions upon Emergent Occasions, with its famous words about the bell. On my YouTube channel, English Readings. Please subscribe.

Three Men in a Boat – latest 3-minute lecture/podcast on YouTube.

Here is my 3-minute lecture/microlecture/podcast on Jerome K Jerome’s classic, Three Men in a Boat.

 

An Air That Kills – a 3-minute lecture on Housman’s “blue remembered hills” poem.

Poem 40 from Housman’s A Shropshire Lad is one of his most famous. Here’s a microlecture on it.

 

Dowson’s Cynara poem – a microlecture.

Another microlecture, this time on Ernest Dowson’s “Non Sum Qualis Eram Bonae Sub Regno Cynarae”.

A three minute lecture – Absent Mothers and Bad Fathers: Silas Marner.

Text:

Bad Fathers and Absent Mothers

Silas Marner is a fairy tale, one in which Silas, the wounded, childless patriarch with no family, is restored to psychological and social health through the intervention of the matriarch-in-waiting, Eppie. Through Eppie Silas regains his lost kingdom, that is, both a place in society, and his faith in humankind. With the marriage of Eppie to Aaron and thus the expectation of children Silas acquires a family and a stake in the future.

A major theme of the novel is that of flawed patriarchs. The book is notable for its bad or useless fathers and fallible men. William Dane betrays Silas in Lantern Yard; Squire Cass is a careless and brutal father, Dunstan is a thief and a liar, while Godfrey is weak-willed, self-centred and a feckless father.

But if the tale is notable for its bad fathers and men then it is equally notable for its absent mothers or matriarchs. Silas at the beginning is without both father and mother, though it is only the latter he recalls (and his dead sister). The Cass boys are also motherless, and Eppie becomes motherless as a child.

It is the women, however, who facilitate the process of reintegrating Silas the outsider into village life and human community. Dolly Winthrop, having taken pity on Silas, visits him, bringing him cakes. The offering and sharing of food is a primal activity that establishes and strengthens the bonds between people.

Dolly also brings along her little son, Aaron, thereby signalling the importance of family within the community. And Aaron of course will eventually marry Eppie, thus sealing Silas’s integration into village life.

The female, matriarchal principle is the civilising, humanising force at work here, healing the rifts between people and helping to re-establish a benevolent patriarchy as a necessary part of a stable society. As in a fairy tale, Eppie is the pauper girl who starts out with nothing and ends up as a kind of princess with family, husband, and a stake in the community; while Silas, the disenfranchised exile, not only establishes a new home for himself but also finds a role as a patriarch in his own household and village.

© Michael Blackburn, 2017